噩梦开始
Storyboard, assembly, and QC are still in flight.
Short Drama
La Viuda de la Frontera: Spanish-language vertical revenge thriller for Mexico and Latin America mobile audiences. After a border-town journalist is murdered during a local livestream, his widow discovers the cartel did…
Story Units
Storyboard, assembly, and QC are still in flight.
Later release timing will follow the first public episode.
Later release timing will follow the first public episode.
Later release timing will follow the first public episode.
Later release timing will follow the first public episode.
Later release timing will follow the first public episode.
Later release timing will follow the first public episode.
Later release timing will follow the first public episode.
Later release timing will follow the first public episode.
Later release timing will follow the first public episode.
Later release timing will follow the first public episode.
Later release timing will follow the first public episode.
Recommendations
Contrato no Ponto Final: Brazilian Portuguese vertical romance-revenge drama for Brazil mobile audiences. A bankrupt snack-bar owner in a chaotic bus terminal discovers that the startup buying the terminal forged docume…
停职女法医许昭在深夜解剖一具无名女尸时,从胃中发现一枚刻着父亲旧案编号的金属薄片。五天后,再审终裁就会彻底关闭父亲翻案的窗口;她必须在内部调查封口之前,沿着被篡改的尸检记录与证物流向,查清一条贯穿法医系统与旧案伪证链的真相。
心理悬疑短剧《镜中谜影》:知名心理咨询师苏念在一次催眠治疗中,看见镜中出现一个比现实早一步行动的自己。她顺着碎裂记忆追查,发现五年前妹妹失踪案与自己的记忆被人为篡改有关。刑警陈默暗中协助,两人必须在下一次催眠彻底吞没她之前,找出藏在镜面诊疗室后的真凶。整体风格为 neo-noir 心理惊悚,冷蓝与钨丝暖光对撞,镜面反射、低角度推轨、浅景深、手持呼吸感,电影级写实审美。
历史现实主义海洋史诗短片《天妃灯》:永乐年间,福建海防船坞遭遇百年一遇的风暴夜。宝船出海前最后一个时辰,钦天监女官谢蘅带着一盏封存多年的“天妃灯”和密封星图抵达船坞,却发现一份伪造军令要求天亮前烧毁航道图、封死出海滑道。船坞都作头沈砺不信天命,只信木骨、潮汐和风向;谢蘅相信星路,也知道这不是征服世界的野心,而是一条能让船队穿过暗礁、同时救出外海困船和避风民船的唯一生路。两人必须在一个风暴夜里穿过被海水倒灌的档案走廊、悬空索桥、烽火塔、…
心理悬疑短剧《最后来访者》:暴雨夜,法医心理学家周岚在一间封闭的司法访谈室里,审问旧命案唯一幸存者许沉。桌上的老式磁带录音机反复播放出只有凶手才知道的细节,周岚逐渐意识到,许沉并不是在回忆案件,而是在确认她是否还记得自己也曾出现在那一夜。全片只围绕这一间访谈室与相邻观察窗展开,强调空间连续、人物一致、道具一致、表演细节和声音连贯。对白必须全程为普通话中文,无英文口播,无字幕,无画面文字,无夸张配乐,只保留雨声、空调低频、电流底噪、录音…
回声站台 悬疑:暴雨后的凌晨,29岁的地铁信号维修员顾遥被派往停运的北环支线排查异常。监控系统不断提前三秒显示她尚未走过的路线,一列本不该发车的空车在备用控制站、检修走廊、服务隧道与废弃站台之间留下湿脚印与短促灯闪。全片只跟随顾遥一个人,通过连续空间、设备操作、倒影、背影、手部细节和环境音推进,几乎没有正面对白,不做喜剧,不做人群场面,不做恋爱支线。